Black Faggot
A play by Victor Rodger
Produced by The Court Theatre
Director – Anapela Polata’ivao ONZM
Until 14 June
The Court Theatre, Wakefield Family Front Room
Reviewed by Kineta Knight

 

Possibly the most provocative, deeply moving, and relatable pieces of theatre I’ve seen.

Black Faggot opened what used to be known as “Court 2”, now named the Wakefield Family Front Room, with an absolute banger, coincidentally on IDAHOBIT – International Day Against Homophobia, Biphobia and Transphobia.

With a blend of biting humour, emotional depth, and cultural resonance, this production is both a celebration and a challenge – unapologetically queer, proudly Pasifika, and fiercely relevant.

Structured as a series of monologues, the play introduces a spectrum of queer Samoan characters: a closeted churchgoer marching against the Civil Union Bill, a flamboyant fa’afafine artist, a meticulous partner lamenting a soiled bedspread (and wallpaper), and a butch Polynesian who embraces his identity with unbridled confidence.

Each persona is crafted with nuance, offering a window into the complexities of faith, family, and sexuality within the Pasifika community.

Rodger’s script balances levity and gravity, delivering moments that are both uproariously funny, filthy and moving. The dialogue is sharp, the characters authentic, and the themes universally resonant.

Polata’ivao’s direction ensures that each story is told with clarity and compassion, allowing the performers to inhabit their roles fully and connect with the audience on a profound level.

Jake Tupu and Gideon Smith deliver standout performances, embodying multiple characters with versatility and emotional depth. Their portrayals are both entertaining and enlightening, shedding light on the diverse experiences within the queer Pasifika community.

A stand-out part of this play was the reliance on music and lighting. It ensures the actors are able to switch between their characters with ease.

The only thing that let this play down was the actual theatre. There were a number of times that the back row on the second tier couldn’t see what was happening on the stage before them. But, it’s an easy fix. The action needs to be taken back at least a metre towards the curtain. There is a lot more space back there that could, and should, be utilised. We don’t want to be standing out of our seats to see what’s happening out of our view, despite the international norm.

Black Faggot is not merely a play; it is a powerful statement on identity, acceptance, and the courage to live with sincerity. It challenges societal norms while celebrating the richness of Pasifika culture.

This production is a must-see – provocative, heartfelt, and unforgettably human.