The James Hay Theatre absolutely glowed last night as Sophie Ellis-Bextor delivered a concert that felt joyful, generous, and genuinely uplifting.

At 46, Ellis-Bextor looked and sounded fantastic, gliding across the stage with confidence and ease, delivering her signature disco pop with a wink and a smile. What really struck me was just how effortless it all felt. There was no strain, no chasing trends. This was an artist completely comfortable in her skin, enjoying the moment and bringing the audience along for the ride.

I was genuinely surprised by how many hits she had at her disposal. Song after song landed, keeping the energy high across a show that ran for well over 2 hours without losing momentum. The crowd loved it. Many were dressed in glitter, sequins, and glamorous throwback outfits, clearly treating the night as an event rather than just a concert. It was refreshing and fun to see.

Ellis-Bextor spoke warmly to the audience throughout the night, but never for too long. Even songs that were less instantly recognisable still felt welcome, because the atmosphere she created carried everything. Few performers manage to make you forget about the outside world entirely, but she did exactly that.

She was backed by a tight and talented band, including her younger brother on drums, which added a nice personal touch. Despite the theatre’s intimate size, the production felt polished and confident. The animated backscreen visuals were playful and stylish, while her costume changes were perfectly judged. Not outrageous, not restrained. Just right.

There is a reason Sophie Ellis-Bextor is firmly back on the touring circuit, and nights like this explain why. A new generation has rediscovered her through social media and streaming, while longtime fans have never really let go. Instead of trying to reinvent herself, she has leaned into what she does best. Smart pop songs, warmth, humour, and a sense of fun. It works beautifully.

The opening act, New Zealand singer Ella Monnery, was outstanding. Her voice was powerful, controlled, and emotionally engaging. When she announced she was about to finish her set, there was a clear sense of disappointment from the audience. People wanted more, which is always the best compliment an opening act can receive.

That feeling carried through the rest of the night. Both performers left the crowd wanting another song, another moment, another excuse to stay.

 

Walking out of the theatre, there was a noticeable lightness in the air. People were smiling, chatting, and clearly energised. Conversations drifted between Ellis-Bextor’s timeless voice, her confidence, her incredible figure, and her refreshing ability not to take herself too seriously.

Sophie Ellis-Bextor may not chase headlines or hype, but she does not need to. She is clearly enjoying herself, connecting with audiences, and reminding everyone why pop music, at its best, can feel like a gift.

Christchurch had a wonderful night. And judging by the mood leaving the James Hay Theatre, it was exactly what people needed.